December 24, 2008
Building Our Own Violins
Do you know what impresses me? That a guy could apprentice to a long line of violin makers and still be able to take the craft to such new heights of perfectionism that people nearly three hundred years later are willing to pay millions of dollars to own one of his instruments. Antonio Stradivari, in his seventy years of professional work, made 1,100 stringed instruments and 650 are said to still be in existence. Truly amazing! From a little stab of maple, some pine, glue and varnishes, and with a methodical persistence to find perfection the Stradivarius was born, a line of instruments with full woody tones unsurpassed even today.
I wonder what it would feel like to be gifted at something. I wonder if Antonio knew he was a gifted. I doubt it. After all the whole town of Cremona in the northern region of Italy where he lived and worked had a history---three centuries long---of making musical instruments. Did he think of himself as just another guy on an assembly line? Like some guy in Detroit punching out automobiles? Or could he feel that his work was special? Antonio must have had some idea; he kept his vanish recipe a secret even from his wife and children and many people feel that his varnishing process is what gave his violins their magic sound. But then again he was making a living and people protect their livelihood from their competitors, so that doesn’t necessarily mean he knew he was creating masterpieces.
I have a book titled, Wherever You Go There You Are. That title amuses me whenever I see the book on the shelf. The author would not be happy to learn that I’ve never actually read the book cover to cover, but I’ve read enough of it to know that it’s about cultivating our ability to live in the present moment. Mindfulness. I don’t know where I am going with this except that I believe a person like Antonio Stradivari must have understood living in the moment. As he worked, he let the woods and varnishes speak to him and he listened in an analytical way that his predecessors, and those who came afterward, hadn’t done. He was not just another guy on an assembly line punching a time clock, picking up a paycheck. He had the “it factor” that Simon on American Idol talks about.
I have a sister-in-law who is a wonderful cook. Not only does her food taste fantastic, but her presentation, creativity and thoughtfulness in menu planning are something that I have long admired. She has the “it factor” in the kitchen. She’s in the moment when she is in the kitchen. I have a niece who is a mother to two sons. She has the “it factor” when it comes to motherhood. Her sister says she’s not just a mother, “She’s a human development specialist.” She’s in the moment when she interacts with her boys.
You can guess what I’m going to say next. Yup, I’m going to tell you that we don’t have to build Stradivarius violins or paint like Rembrandt to achieve a state of oneness with our surroundings. To find that that one thing that we can be passionate about, that something that regenerates our spirit and soul, we just need to look within. We do so many things on autopilot, thinking of past regrets or worrying about the future, instead of seizing the moment we’re in.
Someone in another blog said words to the affect that we live for the little moments in life that tell us that we’re alive. I couldn’t agree more. I would only add that increasing our happiness tenfold can come from practicing mindfulness—of teaching ourselves to really live in the small moments of life. To do that, we need enjoy and appreciate the process of whatever we are doing at the moment. Antonio Stradivari might have said it this way: “If you live in a town that builds musical instruments, build the best damn one you can build.”
Jean Riva ©
Photo: Violin Shop in Detmold Germany